Every Ward Has a Garland. Will You Find Them?
Somewhere in your ward’s past is the family who opened the door first. Here is how one Tennessee county found…
Most of us know a handful of paintings of the Savior from meetinghouse hallways and lesson manuals. We see them one at a time, usually out of order and without the story behind them. Masters of the Life of Christ brings them together in one place and hangs them the way you would walk through His life: from the Annunciation to the Ascension.
It's free, and it works on a phone or a big screen.
The Gallery Walk follows 69 moments from the Gospels, in order. Each moment is a room. 68 rooms are open, hung with 143 works by eight masters, with links to the paintings of three more.

The rooms are grouped into seven chapters, and each chapter is seen through the eyes of a witness:
| Chapter | Witness | Rooms |
|---|---|---|
| 1. The Promised Birth | Mary | 8 |
| 2. The Growing Boy | Joseph | 3 |
| 3. The Ministry Begins | John the Baptist | 8 |
| 4. By the Sea of Galilee | Peter | 19 |
| 5. Teacher on the Road | Mary of Bethany | 11 |
| 6. The Last Week | John the Beloved | 13 |
| 7. He Is Risen | Mary Magdalene | 6 |
Each room shows one painting large, with the other masters' versions of the same moment below it. That's where the gallery gets interesting. In Gethsemane, room 58, “Not My Will, but Thine,” you can see how Bloch, Hofmann, Schwartz, Tissot and Ivanov each imagined the same night.

Select any painting to look closer. Each painting page lets you zoom and drag around the canvas, opens numbered details to look for, quotes the verse the artist was painting, and tells you what the painting is made of and where it hangs today.
Each artist has a wing of their own, with the works in Gospel order and the story of their life.
| Artist | Lived | Country | In the gallery |
|---|---|---|---|
| Carl Bloch | 1834–1890 | Denmark | 30 works · 19 rooms |
| Heinrich Hofmann | 1824–1911 | Germany | 10 works · 9 rooms |
| Frans Schwartz | 1850–1917 | Denmark | 6 works · 5 rooms |
| James Tissot | 1836–1902 | France | 75 works · 67 rooms |
| Alexander Ivanov | 1806–1858 | Russia | 12 works · 12 rooms |
| Mihály Munkácsy | 1844–1900 | Hungary | 4 works · 2 rooms |
| Antonio Ciseri | 1821–1891 | Switzerland and Italy | 2 works · 2 rooms |
| Bernhard Plockhorst | 1825–1907 | Germany | 4 works · 3 rooms |
Arnold Friberg, Harry Anderson and Del Parson are under copyright, so they have honor wings instead. Their wings tell their stories and link to their paintings where the owners share them, rather than showing copies here.
The Carl Bloch wing was the first to open. Bloch was born in Copenhagen in 1834 and, as a BYU curator tells it, used to pretend to read his schoolbooks while drawing inside them. After a fire at Frederiksborg Castle in 1859, the brewer J.C. Jacobsen of Carlsberg asked him to paint 23 scenes from the life of Jesus for the King's Oratory, the king's private prayer chamber. Bloch worked on them from 1865 to 1879, in oil on copper, and they still hang there today.
He also painted eight large altarpieces for churches in Denmark and Sweden and made 78 etchings. For more than 40 years, the Church has used his paintings, mostly the Frederiksborg series, in meetinghouses and printed media. The wing tells that story with its sources.
Yes. There's nothing to buy and no account to make.
The eight older masters died more than a century ago, and their paintings are in the public domain. Each painting page names the museum that owns the original. Friberg, Anderson and Parson are under copyright, so follow the owner's link for those.
No. It's an independent project by Weak Things.
The games are free because the shirts aren't. Shop shirts. Love God.