Masters of the Life of Christ

Masters/James Tissot

The Sermon of the Beatitudes, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

The Sermon of the Beatitudes, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.124)

A wing of the gallery

James Tissot

1836–1902 · France

A fashionable painter of Paris and London who gave his last years to one enormous work: the life of Christ, scene by scene, in 350 small watercolors.

See the 75 worksWalk them in order

01

Society painter

Jacques Joseph Tissot was born in Nantes on October 15, 1836. His father was a drapery merchant and his mother designed hats, which may be why the clothing in his paintings is so exact. He studied at the École des Beaux-Arts in Paris and became, in the 1870s and 1880s, one of the most successful society painters in Paris and London.

Sources: Wikipedia, James Tissot · Brooklyn Museum, James Tissot: The Life of Christ

The Vision of Zacharias, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

The Vision of Zacharias, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.13)

02

A vision at Saint-Sulpice

In 1885, while visiting the Church of Saint-Sulpice in Paris, Tissot had a religious experience that changed his life. He set aside his fashionable subjects and began to illustrate the New Testament.

To do it, he traveled to the Middle East in 1886, 1889 and 1896, recording landscapes, buildings, clothing and customs in photographs, notes and sketches. The Brooklyn Museum says he painted his figures in costumes he believed were historically accurate, with “considerable archaeological exactitude.”

Sources: Wikipedia, James Tissot · Brooklyn Museum, James Tissot: The Life of Christ

The Miraculous Draught of Fishes, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

The Miraculous Draught of Fishes, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.87)

03

The Life of Our Lord Jesus Christ

The result is a set of 350 small watercolors, from before Jesus’ birth through the Resurrection. Shown in Paris in 1894, they were received with great enthusiasm and later toured London and the United States. In 1900 the Brooklyn Museum bought the whole series, at John Singer Sargent’s suggestion, with money raised by public subscription.

Because he painted nearly every event, Tissot is the backbone of the Gallery Walk. This wing shows 75 of the watercolors, one or two for each moment of the walk.

Sources: Brooklyn Museum, James Tissot: The Life of Christ · Wikipedia, James Tissot

The Resurrection of Lazarus, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

The Resurrection of Lazarus, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.181)

The rooms

75 works, in the order of His life

Hung by the Gospel moment they show, across 67 rooms of the Gallery Walk.

The Vision of Zacharias, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

1. An Angel in the Temple

The Vision of Zacharias, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.13)

The Annunciation, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

2. Be It unto Me

The Annunciation, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.16)

The Visitation, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

3. Mary Visits Elisabeth

The Visitation, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.18)

The Vision of Saint Joseph, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

4. Joseph's Dream

The Vision of Saint Joseph, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.22)

Saint Joseph Seeks a Lodging in Bethlehem, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

5. No Room in the Inn

Saint Joseph Seeks a Lodging in Bethlehem, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.23)

The Birth of Our Lord Jesus Christ, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

5. No Room in the Inn

The Birth of Our Lord Jesus Christ, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.24)

The Angel and the Shepherds, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

6. Good Tidings of Great Joy

The Angel and the Shepherds, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.25)

The Adoration of the Shepherds, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

6. Good Tidings of Great Joy

The Adoration of the Shepherds, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.26)

The Aged Simeon, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

7. Simeon and Anna

The Aged Simeon, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.28)

The Magi Journeying, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

8. We Have Seen His Star

The Magi Journeying, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.30)

The Adoration of the Magi, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

8. We Have Seen His Star

The Adoration of the Magi, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.32)

The Flight into Egypt, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

9. Flight into Egypt

The Flight into Egypt, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.35)

The Return from Egypt, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

10. Home to Nazareth

The Return from Egypt, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.37)

Jesus Found in the Temple, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

11. My Father's Business

Jesus Found in the Temple, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.41)

The Voice in the Desert, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

12. Prepare Ye the Way

The Voice in the Desert, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.44)

The Baptism of Jesus, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

13. This Is My Beloved Son

The Baptism of Jesus, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.49)

Jesus Tempted in the Wilderness, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

14. Forty Days in the Wilderness

Jesus Tempted in the Wilderness, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.51)

Jesus Ministered to by Angels, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

14. Forty Days in the Wilderness

Jesus Ministered to by Angels, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.54)

The Calling of Saint John and Saint Andrew, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

15. Come and See

The Calling of Saint John and Saint Andrew, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.55)

The Marriage at Cana, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

16. Water into Wine

The Marriage at Cana, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.62)

Interview between Jesus and Nicodemus, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

17. Nicodemus by Night

Interview between Jesus and Nicodemus, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.64)

The Woman of Samaria at the Well, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

18. Living Water

The Woman of Samaria at the Well, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.69)

Jesus Unrolls the Book in the Synagogue, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

19. The Spirit of the Lord Is upon Me

Jesus Unrolls the Book in the Synagogue, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.71)

The Brow of the Hill near Nazareth, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

19. The Spirit of the Lord Is upon Me

The Brow of the Hill near Nazareth, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.72)

The Miraculous Draught of Fishes, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

20. Fishers of Men

The Miraculous Draught of Fishes, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.87)

The Healing of Peter's Mother-in-law, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

21. The Fever Left Her

The Healing of Peter's Mother-in-law, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.76)

The Palsied Man Let Down through the Roof, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

22. Through the Roof

The Palsied Man Let Down through the Roof, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.123)

The Calling of Saint Matthew, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

23. Follow Me

The Calling of Saint Matthew, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.91)

The Piscina Probatica or Pool of Bethesda, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

24. Rise, Take Up Thy Bed

The Piscina Probatica or Pool of Bethesda, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.68)

Ordaining of the Twelve Apostles, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

25. He Ordained Twelve

Ordaining of the Twelve Apostles, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.98)

The Sermon of the Beatitudes, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

26. The Light of the World

The Sermon of the Beatitudes, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.124)

Lord, I Am Not Worthy, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

27. So Great Faith

Lord, I Am Not Worthy, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.112)

The Resurrection of the Widow's Son at Nain, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

28. Young Man, Arise

The Resurrection of the Widow's Son at Nain, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.115)

The Ointment of the Magdalene, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

29. Thy Faith Hath Saved Thee

The Ointment of the Magdalene, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.214)

The Sower, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

30. Parables by the Sea

The Sower, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.119)

Jesus Stilling the Tempest, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

31. Peace, Be Still

Jesus Stilling the Tempest, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.102)

The Daughter of Jairus, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

33. Be Not Afraid, Only Believe

The Daughter of Jairus, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.108)

The Miracle of the Loaves and Fishes, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

34. Five Loaves and Two Fishes

The Miracle of the Loaves and Fishes, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.134)

Jesus Walks on the Sea, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

35. Walking on the Water

Jesus Walks on the Sea, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.138)

Saint Peter Walks on the Sea, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

35. Walking on the Water

Saint Peter Walks on the Sea, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.140)

You Follow Me for the Miracles, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

36. The Words of Eternal Life

You Follow Me for the Miracles, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.141)

The Primacy of Saint Peter, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

37. Thou Art the Christ

The Primacy of Saint Peter, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.148)

The Transfiguration, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

38. Hear Ye Him

The Transfiguration, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.145)

Le possédé au pied du Thabor, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

39. Help Thou Mine Unbelief

Le possédé au pied du Thabor, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.146)

The Good Samaritan, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

40. The Good Samaritan

The Good Samaritan, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.175)

Jesus Mary Magdalene and Martha at Bethany, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

41. That Good Part

Jesus Mary Magdalene and Martha at Bethany, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.162)

The Blind Man Washes in the Pool of Siloam, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

42. Once Blind, Now I See

The Blind Man Washes in the Pool of Siloam, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.173)

The Good Shepherd, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

43. The Good Shepherd

The Good Shepherd, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.106)

The Return of the Prodigal Son, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

44. Lost and Found

The Return of the Prodigal Son, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.185)

The Resurrection of Lazarus, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

45. Lazarus, Come Forth

The Resurrection of Lazarus, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.181)

The Healing of Ten Lepers, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

46. Where Are the Nine?

The Healing of Ten Lepers, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.161)

Suffer the Little Children to Come unto Me, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

47. Suffer the Little Children

Suffer the Little Children to Come unto Me, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.188)

The Two Blind Men at Jericho, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

48. Blind Bartimaeus

The Two Blind Men at Jericho, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.190)

Zacchaeus in the Sycamore Awaiting the Passage of Jesus, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

49. Zacchaeus, Make Haste

Zacchaeus in the Sycamore Awaiting the Passage of Jesus, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.189)

Mary Magdalene at the Feet of Jesus, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

50. Spikenard

Mary Magdalene at the Feet of Jesus, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.164)

The Procession on the Mount of Olives, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

51. Hosanna

The Procession on the Mount of Olives, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.192)

The Merchants Chased from the Temple, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

52. A House of Prayer

The Merchants Chased from the Temple, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.198)

The Widow's Mite, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

53. The Widow's Mites

The Widow's Mite, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.211)

The Wise Virgins, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

54. The Ten Virgins

The Wise Virgins, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.179)

The Foolish Virgins, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

54. The Ten Virgins

The Foolish Virgins, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.180)

The Communion of the Apostles, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

55. In Remembrance of Me

The Communion of the Apostles, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.223)

The Washing of the Feet, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

56. He Washed Their Feet

The Washing of the Feet, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.222)

The Last Sermon of Our Lord, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

57. Love One Another

The Last Sermon of Our Lord, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.225)

The Grotto of the Agony, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

58. Not My Will, but Thine

The Grotto of the Agony, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.231)

The Kiss of Judas, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

59. Put Up Thy Sword

The Kiss of Judas, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.234)

The Third Denial of Peter. Jesus' Look of Reproach, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

60. Before the Cock Crow

The Third Denial of Peter. Jesus' Look of Reproach, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.249)

What Our Lord Saw from the Cross, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

62. It Is Finished

What Our Lord Saw from the Cross, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.299)

It Is Finished, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

62. It Is Finished

It Is Finished, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.304)

Jesus Carried to the Tomb, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

63. Laid in a New Tomb

Jesus Carried to the Tomb, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.324)

The Angel Seated on the Stone of the Tomb, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

64. He Is Risen

The Angel Seated on the Stone of the Tomb, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.330)

Touch Me Not, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

65. I Have Seen the Lord

Touch Me Not, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.335)

The Pilgrims of Emmaus on the Road, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

66. The Road to Emmaus

The Pilgrims of Emmaus on the Road, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.338)

The Disbelief of Saint Thomas, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

67. My Lord and My God

The Disbelief of Saint Thomas, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.341)

Feed My Lambs, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

68. Lovest Thou Me?

Feed My Lambs, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.347)

The Ascension, opaque watercolor over graphite on gray wove paper by James Tissot, 1886–1894

69. Ye Shall Be Witnesses

The Ascension, 1886–1894

Opaque watercolor over graphite on gray wove paper

Brooklyn Museum, purchased by public subscription (00.159.348)

See the originals

Where the works are

Brooklyn Museum

Brooklyn, New York

The complete Life of Christ watercolors, purchased in 1900. Source: Brooklyn Museum, James Tissot: The Life of Christ.

Google MapsGoogle Earth

Sources for this wing

Masters of the Life of Christ

A free gallery from Weak Things. The paintings and prints shown here are in the public domain, and each painting page credits its image source. In the United States, faithful photographs of public-domain paintings are not copyrightable (Bridgeman v. Corel). Works by Arnold Friberg, Harry Anderson and Del Parson are under copyright and are not shown; their wings link to official sources.

Scripture quotations are from the King James Version and open in the Weak Things New Testament Connected reader.